Matthew Krousey - Host Potter

I use stoneware to create pots decorated with abstract landscapes, flora, and fauna of Minnesota. The pieces are fired in a salt kiln resulting in durable objects, imbued with great variation and depth. The finished pottery is natural and mysterious like the landscape they are inspired by.

Conceptually, I look to the regionalist artists of the early 20th century who documented the rural landscapes of America. I see myself as a modern day Regionalist working with clay. Aesthetically, I am constantly looking to the folk pottery from around the world and aim for a minimalist approach to convey meaning when decorating. Fewer lines give my compositions power and movement.

My hope is that the daily use of my pots will be a gentle reminder to the public of the vanishing natural world around us.

2785 Stark Rd, Harris, MN 55032
Showroom is always open

mkrouseyceramics@gmail.com
www.mkrouseyceramics.com
Visit Matthew's webshop
Instagram: @mkrouseyceramics


Dan Finnegan, Fredericksburg, VA

My work stands at the intersection of traditional and contemporary pottery. I have a particular interest in medieval European salt glaze and 17th century English slipware but my earliest work in clay was sculptural and those very disparate bodies of work continue to inform the pots that I make today.

Making pottery is a lifestyle choice as much as it is a career choice…it is an integrated way of living, where work and play and everyday life all dissolve into each other and that suits me. It also allows for a great deal of variety: not only do I make pots, but I teach workshops, exhibit and promote a show.

I enjoy the aesthetic challenges of making pots as well as the physical labor that being a potter and firing with wood entails. It is important to me that my work be finely crafted and made to a very high standard. I love the architectural qualities of clay, the permanence of stoneware, and the sweet magic that occurs when good pots, good food and good people come together!

danfinneganpottery@cox.net
danfinneganpottery.com
Visit Dan's webshop


Adam Gruetzmacher, Harris, MN

I make utilitarian pottery for everyday use. I am most influenced by craft objects that reflect the routines, values, and character of the makers and cultures in which they were made. I try to reference forms that are distilled and visually objective, aspiring to place the work closer to its root as a functional tool. I embellish the surface of my work minimally with the goal of emphasizing the object’s architecture, facilitating an unobtrusive relationship with the space around it. This work represents my personal concepts and questions having to do with utility, our cultural values, and our relationships to the things we choose to surround ourselves with every day.

adamgruetzmacher@gmail.com
www.adamgruetzmacher.com
Visit Adam's webshop
Instagram: @adamgruetzmacher


Suze Lindsay, Bakersville, NC

I make pots that speak to domestic settings: for the table, for food prep and cooking, for serving, for celebrating and sharing. Some forms are simple, others more complex, as I throw, alter, assemble and construct with hand-built components. Function is a primary concern, yet I am equally interested in taking the pots out of the round, suggesting anthropomorphic/zoomorphic characteristics. I respond the these forms with brushstrokes, using slip decorating techniques, embellishing the surface with pattern and decoration. I like to think that I am creating a mood that entices interaction with the user. Finishing them in my salt kiln, then adds to an idea about warm and friendly pots. I like to ruminate that making pottery is the giving and receiving of thanks.

suzepots57@gmail.com
www.forkmountainpottery.com
Instagram: @suzepots57


Matthew Metz, Alfred Station, NY

I make functional porcelain pottery, that is salt glazed.  The pots are decorated with images that, hopefully, enliven the forms and the user’s experience.

I am inspired by the history of pottery. The best work, to me, builds on this recognizable history, but in an individual voice. Both the recognition of what you know (old pots), and what you don’t (an individual’s new approach) can combine to provide a deep and rewarding experience.

metzpottery@gmail.com
www.matthewmetzceramics.com
Visit Matthew's webshop


Catie Miller, West Fargo, ND

Catie Miller’s ceramics blend bright colors and playful patterns, reimagining traditional tableware to bring comfort and charm to the everyday. Using a slip-covered newsprint technique, she combines drawing, printmaking, and ceramics to create unique monoprints with spontaneous process marks on the surface of her pottery. Based in Fargo, ND, Miller has been featured in publications like Pottery Making Illustrated and Ceramics Monthly, while expanding her artistic practice to include public art collaborations and murals.

catiemillerceramics@gmail.com
www.catie-miller.com
Instagram: @catiemillerceramics


Hironobu "Nishi" Nishitateno, Loves Park, IL

My passion for making pottery springs from a desire to bring beauty and nature into daily life. I find inspiration everywhere I go, traveling with notebook in hand, sketching designs and shapes that can be incorporated into new works. My style is based on the simplicity and functionality of Japanese pottery, using natural materials and colors typical in nature. It is my belief that pottery should not be the center of attention on the dinner table; it should be simple and attractive, while discreetly adding to the delicious appearance of the food. I strive to create pottery that resonates with me and brings out my inner peace. It is my hope that the natural simplicity of my pottery can bring the same peace to others.

The entire process of creating a work of art excites me. My favorite tools are my hands. I love feeling the subtleties of the clay, in which slight changes bring out the wonders and beauty of the material and make a great impact on the final piece. I strive to incorporate the characteristics of the clay, such as flecks of iron, so that they are not hidden but honored. The potter’s wheel inspires me to add textures like spirals where glaze can naturally pool during firing. The kiln brings about a surprise ending, as the fire is variant by nature and can lend unexpected character to the final piece. My most exciting challenge in pottery is the precision required at every step to achieve an aura in the finished piece. I feel satisfaction when the character of the clay bursts forth with momentum while expressing my intention for the work, conveying a powerful emotion to collectors.

info@nantenpottery.com
www.nantenpottery.com
Visit Nishi's webshop
Instagram: @NantenPottery


Kip O' Krongly, Northfield, MN

Through my ceramic work I enjoy the process of visually wrestling with contemporary issues on beautiful daily-use objects – creating functional art that by its very nature compels repeated scrutiny. I work with earthenware clay, slips, underglazes and decals I design and print to create colorful pieces that offer a space for joyful daily reflection. I hope with regular rotation of these pots through everyday moments, users will peel back the layers of my pots, open dialog with those who share their tables and explore how the present can influence our collective future.

kipokrongly@gmail.com
www.kipokrongly.com
Visit Kip's webshop
Instagram: @kipokrongly


Adama Sow, Hopkins, MN

I'm a ceramist originally from Senegal in West Africa. I worked in Soumbedioune Ceramics and offered classes in the capital city of Senegal. I have been living in Minnesota since 2002 where I continued instructing at the Edina Art Center, White Bear Center for the Arts and Plymouth Community Center. I now have a studio in south Hopkins. I pug clay, throw it on the wheel and sell my African style vases, tureens, mugs, platters and sculptures as well as teach many classes.

ceramicsow1@yahoo.com
www.ceramicsow.com
Instagram: @SowCeramic


David Swenson, Clearwater, MN

My work is about Nostalgia and Play. I'm inspired by motifs and patterns from folk and historical decorative arts as well as street art with outsider tendencies. Pieces are meant to evoke feelings of times past, while incorporating inspired imagery from places I’ve visited, researched, and lived. These objects are meant to embellish the home, as well as to provide their services and entertainment.

swenwares@gmail.com
swenwares.wixsite.com/swenwares
Visit Swen’s webshop
Instagram: @swenwares