Will Swanson - Host Potter

Will Swanson fashions stoneware clay into useful pots to be experienced, as he says, “through the simple, aesthetic pleasures of everyday use.“

Will’s education includes a BA in Social Welfare and an MA in Design from the University of Minnesota. His inspiration to make a life as a maker of pottery sprang from being intrigued by using handmade pottery.

Will chooses to make pots that might attain a “satisfying simplicity” while allowing the character of the earth materials and the hand-making process to be evident. He reflects that the use and perhaps the meaning of any pot is projected onto it by the user…long after it leaves the hands of the potter.

41421 Ferry Rd (in Sunrise), Harris, MN 55032
Showroom open most days

will@willswanson.com
www.sunrisemnpottery.com
Visit Will's webshop
Instagram: @willswansonpottery


Janel Jacobson - Host Potter

I currently enjoy using high fire porcelain clay with the intention of making pots that are useful in daily life. While doing this, I continue to pursue developing wheel-thrown forms that may be gently reshaped, carved, stenciled and slip-textured to be enhanced with celadon glazes, or to serve as a canvas for active, responsive carbon trapping glazes.

41421 Ferry Rd (in Sunrise), Harris, MN 55032
Showroom open most days

janel@janeljacobson.com
www.sunrisemnpottery.com
Visit Janel's webshop
Instagram: @janeljacobson


Hayne Bayless, Ivoryton, CT

I love what spawns in the friction between what I want of the clay and what it would rather. I'm intrigued by this remarkable material as it’s rolled, stretched, pressed, extruded, sliced, and then reassembled. The unintended result, often misread as a mistake and dismissed, usually brims with new ideas.

hayne@sidewaysstudio.com
sidewaysstudio.com
Instagram: @dhaynebayless


Karin Kraemer, Duluth, MN

I’m Karin Kraemer, artist, entrepreneur and owner of Duluth Pottery Gallery, located in the heart of the Lincoln Park Crafts District of Duluth, MN. I make pottery and tile as these items have everyday uses–and they bring art to your table, desk, coffee table or wherever you choose to display them. My work is Maiolica, an in-glaze, hand painted, tin glaze technique. I make functional pots and tiles that are meant to celebrate the day, drawing from everyday scenes and objects for my imagery. Capturing the color and movement of the moment is my aim–like when the flowers in my garden tremble in a slight breeze, and the sun glows through them.

karin@duluthpottery.com
www.duluthpottery.com
Visit Karin's webshop
Instagram: @Duluth_Pottery_Art_Gallery


Becky Lloyd, Clyde, NC

My work uses a centuries old technique called sgraffito to create very intricate patterns and designs. Each piece of hand thrown porcelain is coated with a black terra sigillata slip. I then use a very sharp knife to cut into the slip to expose the white porcelain underneath. This technique allows me to indulge in my passion for design and challenge my skills at the same time.

Over the last several years my work has become more personal. A refuge. An expression of beauty, love and grief all at the same time. I have always had a keen interest in ancient civilizations and the incredible art they produced. Those ancient worlds hold endless inspiration for me and always will. The natural world continues to be a balm for my soul and a source of never ending wonder and awe. But I am now looking inside myself. Searching. Searching for what I have lost. In late April of 2014, Steve my husband, partner in clay and life passed away unexpectedly of an undiagnosed heart condition. This man that I spent over 26 years of my life with was everything to me. He was always my biggest fan but I now know he was also my biggest inspiration. A true artist. An amazing potter. Never have I worked in the studio without him by my side. The pots we made together were an expression of the love we had for each other and our work. I cannot help but reflect on what was. It has shaped my life to what it is. Moving forward is inevitable, but in looking back and remembering I am carrying along memories and ideas of all that we had together. Now I must look inside and find the courage and grace to continue what Steve and I started together so long ago. Steve will always be in every piece I make and every piece I decorate. How could it be any other way?

becky@lloydpottery.com
www.lloydpottery.com
Visit Becky's webshop
Instagram: @beckylloydyogamama


Romulus Craft
Ikuzi Teraki & Jeanne Bisson,
Washington, VT

1979, Oakland, California, believing in possibilities, we rented raw concrete footage in a defunct paint factory on the bad side of town and transformed the space into a studio and a home, developing a way of life. Initially the work produced was sculptural vases, bowls, cups and plates in variations and combinations of black and white. The emphasis of the studio was on simplicity of form with minimal surface treatment...the city showed in our work. The hard edge, clean cut designs were crafted with patient attention to detail and finish, always trying to make the best that we can.

rom@romuluscraft.com
www.romuluscraft.com


Ellen Shankin, Floyd, VA

Every day I work at the wheel. Over and over again I focus my attention on the unruly clay and bring my mind and body together in an intention to center it and create forms filled with breath and energy. For more than 40 years I have found myself drawn to this effort, trying to make pots that possess strength and clarity. Throughout that time I have been able to wander along a path that regularly courses between inspiration and familiarity, passion and comfort.

Day in and day out, I make forms that please me, that honor the obsessions that have always driven my inquiries:
Line: how it moves around a piece, out of the rim and back into the body. Balance: how pots feel in the hand when lifted or poured. Tension: how clay moves in ways that speak of a vitality pushing at the seams. Architecture, the organic structure of nature around me, particular feelings about color and light, and my sense of the relationship between form and use, play heavily in the instincts and decisions that go into making these pieces.

I am keenly aware that along with these pots I am creating the quality of my time. I am crafting a daily existence filled with meaning and reward. Along with pitchers and covered jars, I am constructing the very manner in which time passes. Hours go by immersed in threads of interest. I wander, I struggle, I sink into a landscape dominated by shape, volume, scale and texture and I watch the interaction of those elements unfold over and over again in an evolution of my work.

These feelings, which underpin my studio life, value the journey as well as the destination. This seems to be almost an anachronism today. But there it is. A truth I have lived and loved.

warshank@swva.net
www.ellenshankin.com
Visit Ellen's webshop
Instagram: @ellenshankin


Mark Shapiro, Worthington, MA

Clay is full of promise, paradox, and possibility. Fragile yet permanent, it changes from slurry to stone as it's formed and fired, taking on and recording the unmediated touch of the potter's hand. Transforming shapeless matter into something useful and perhaps beautiful—what an unlikely and magical endeavor on which to center a life at this moment in time.

stonepoolpottery@gmail.com 
stonepoolpottery.com
Visit Mark’s webshop


Sam Taylor, Westhampton, MA

Some things I love about being a potter. I love clay, wet, leather hard, bone dry, and fired. I love making pottery on my super slow pottery wheel, hewing blocks of clay into the shape of dishes and other things. I love moving clay with the pad of my thumb and drawing on pots with a pencil. I love the depth of intrigue and mystery revealed in the fired clay over a lifetime of use.

dogbarpottery1965@gmail.com
dogbarpottery.com
Instagram: @Dogbarpottery


Tara Wilson, Montana City, MT

Tara Wilson was captivated by the woodfiring process during her undergraduate studies at the University of Tennessee. Armed with an MFA from the University of Florida she ventured westward for a transformative residency at The Archie Bray Foundation. Montana’s rugged beauty stole Tara’s heart and in 2008 she planted roots and set up her studio near Helena. She has shared her expertise through lectures and workshops throughout the United States and her work has been exhibited internationally. She facilitated the Cultural Confluence Woodfire Symposium in 2018 and serves as a founding host of The Montana Clay Tour. When not in the studio, Tara can be found roaming the hills on her mountain bike.

trainkiln@gmail.com
www.tarawilsonpottery.com
Visit Tara's webshop
Instagram: @teadubpottery